Bach Standard Silver Plated Flugelhorn Mouthpiece - 9C

Description

RIM Wide: Increases endurance Narrow: Improves flexibility, range Round: Improves comfort Sharp: Increases brilliance, precision of attack CUP Large: Increases volume, control Small: Relieves fatigue, weakness Deep: Darkens tone, especially in low register. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c. Because no two players have the same lip or tooth formation, what is for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure. In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each. In each instan. Bringing these various components into proper relationship constitutes the art of mouthpiece production. The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c. A mouthpiece consists of the rim, cup, throat, and backbore.

Key Features

• A carefully selected Bach mouthpiece can help improve a player's embouchure, attack, tonguing and endurance.
• Because no two players have the same lip or tooth formation, what is for one may be entirely unsuitable for the other.
• The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c.
• Bach produces many different models so that each player can find the mouthpiece for their individual embouchure.
• Bringing these various components into proper relationship constitutes the art of mouthpiece production.
• A mouthpiece consists of the rim, cup, throat, and backbore.